Roger Lumont, active in the 1970s, made notable contributions to cult cinema with his performances in Tropic of Cancer (1970) and The Lady in the Car with Glasses and a Gun (1970). In Threshold of the Void (1974), he further explored the boundaries of genre, showcasing his versatility within the exploitation film landscape. Lumont's work in Alfie Darling (1975) continues to resonate with fans of erotic thrillers, solidifying his place in the annals of unconventional cinema.
Threshold of the Void
The young artist Wanda Leibovitz comes to Paris, hoping to forget unfortunate love. Soon after arrival directly at the station Wanda meets the mysterious old woman suggesting to rent at it the room (whom the old woman, allegedly, held ready for the now deceased sister). Wanda doesn't know yet that this room will change all her life shortly after it slightly opens a mysterious forbidden door.
