Howard St. John, born in Chicago in 1905, was a character actor whose unsympathetic roles left a mark on cult cinema. He appeared in Born Yesterday (1950) as a memorable supporting character, showcasing his knack for delivering sharp, biting performances. In Strange Bedfellows (1965) and Matchless (1967), St. John's distinctive presence added depth to the narratives, while in Banning (1967), he further solidified his reputation in the realm of exploitation and grindhouse film. His contributions highlight the unique storytelling found in these genres.
Strange Bedfellows
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
