Ko Hung emerged in the early 1970s as a notable figure in Hong Kong cinema, contributing to the cult film landscape with his performances. He appears in The Duel (1971), where he showcases his martial arts skills amidst a gripping narrative of rivalry. In The Bamboo House of Dolls (1973), he navigates a dark tale of survival and exploitation, further cementing his presence in the genre. His role in Shatter (1974) and The Clones of Bruce Lee (1981) highlights his versatility within the action and exploitation realms, making him a key player in the conversation around cult cinema.
The Bamboo House of Dolls
The Bamboo House Of Dolls Hong Kong exploitation doesn't get more legendary than The Bamboo House of Dolls, a notorious grindhouse flick with more sex, nudity, and brutal sadism than any fan could possibly want and/or need! The Japanese have invaded China, and are rounding up all the women into a camp, where they are required to wear fetching blue uniforms with short skirts and frequently visible panties. The evil officers are also into making the inmates their sex slaves, a pastime that isn't confined to just the male officers! The female security head also enjoys a little playtime with the prisoners, and has a particular fondness for willowy white girls. A mixed band of prisoners decides they want out, and are after a hidden cache of gold for Chinese rebels. They conspire to escape, and even get the help of a translator (Shaw Brothers favorite Law Lit) who's supposed to be working for the Japanese. A lurid mix of catfights, shower scenes, and over-the-top action sequences, The Bamboo House of Dolls is a surefire winner for fans of "Women in Prison" films, as well as curious cinemaphiles who just want to see what the fuss is all about!
