Paolo Baroni emerged in the 1970s, making a notable impact in the realm of exploitation cinema. He appears in Salon Kitty (1976), where he navigates the intricate dynamics of a Berlin brothel during World War II, embodying the era's provocative themes. In Aphrodite (1982), Baroni further explores erotic narratives, contributing to the film's exploration of desire and sensuality. His roles in these films highlight the bold storytelling that defines cult cinema, solidifying his place within this provocative genre.
Aphrodite
Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend, Count Orloff. The Count organizes a feast there, for three days and three nights, which is the reenactment of the love cult of the Goddess Aphrodite. Harry will meet Pauline there, a young woman who becomes his goddess.
