Bud Allen appears in J.C. (1972), a notable entry in the realm of exploitation cinema. Set against the gritty backdrop of the early 1970s, the film delves into themes of rebellion and social commentary. Allen's performance contributes to the film's raw energy, capturing the essence of a turbulent era in American culture. Through his work in J.C., Allen embodies the spirit of independent filmmaking that defines much of the cult cinema landscape.
J.C.
Jesus Christ is born again on Earth. But his father is a hardcore Southern Baptist, and during his teen years, Jesus rebels, joining a biker gang and leading an LSD-fueled pilgrimage to the West to fight the establishment. Anyone who adopts the initials J.C. as a nickname probably has a Messianic complex. In Iron Horseman, the hero, the head of a motorcycle gang, wigs out on LSD. While day-tripping, he has a prophetic religious vision. This leads him back to his home town, where he challenges the local church leaders-even unto knocking down chairs and tables in righteous anger, just like....you know.
