Dany Kogan appears in Mr. Klein (1976), a film that delves into the murky waters of identity and deception in post-war Paris. With a career rooted in the gritty realism of the 1970s, Kogan's role in this film adds a layer of complexity to the narrative, reflecting the era's cinematic preoccupation with psychological tension. The film's exploration of the human condition resonates with Kogan's performance, making it a notable entry in the realm of cult cinema.
Mr. Klein
Paris, January 1942. France is occupied by the Nazis. Robert Klein, apparently apolitical, is a well-to-do art dealer, Roman Catholic and Alsatian by birth, who takes advantage of French Jews who need to sell artworks to raise cash to leave the country. One day, the local Jewish newspaper, addressed to him, is delivered to his home. He learns that another Robert Klein who has been living in Paris, a Jew sought by police, has had his own mail forwarded to him in an apparent attempt to destroy his social reputation and make him a target of official anti-Semitism. He reports this to the police, who remain suspicious he may be reporting this scheme to disguise his own true identity. His own investigations lead him in contradictory directions, to Klein who lives in a slum while having an affair with his concierge and to Klein who visits a palatial country estate where he has seduced an apparently Jewish married woman. When the art dealer cannot locate the other Klein, authorities require him to offer proof of his French non-Jewish ancestry. While waiting for the documentation to arrive, he struggles to track down his namesake and learn his motivation. Before he can resolve the situation by either means, he is caught up in the July 1942 roundup of Parisian Jews. He is reunited with Jews who once were his clients as they board boxcars for Auschwitz.
