Michael Fink emerged in the 1970s as a director with a flair for cult cinema, helming films that resonate with genre enthusiasts. His work on Black Force (1975) and Velvet Smooth (1976) exemplifies his ability to blend action and exploitation elements, creating narratives that captivate audiences. Fink's direction in these films not only highlights the gritty aesthetics of the era but also contributes to the ongoing conversation about the evolution of cult and grindhouse cinema.
Black Force
Four Black martial artists are hired to recover a stolen African statue, kicking their way through street informants and hired muscle until the trail reaches a ruthless crime boss named Z. When a priceless African statue is stolen and its courier is murdered, the Force Four are called in to deal out some old fashioned retributive action. A Blaxploitation flick where four karate experts are hired to retrieve a stolen African witchdoctor fetish doll.
