Christopher St. John, born in the early 1970s, is a multifaceted talent known for his work in Top of the Heap (1972), where he serves as actor, director, and writer. This film stands out in the cult cinema landscape for its sharp commentary on race and identity, showcasing St. John's ability to blend humor with social critique. His unique perspective as an African-American filmmaker enriches the narrative, making Top of the Heap a significant entry in the genre of exploitation cinema.
Top of the Heap
A Washington D.C. police officer, George Lattimer (St. John) is proud to be one of few African-Americans in the department. However, his peers, or people do not show love for him. When he is passed up for the promotion of sergeant, trouble erupts.
