Charles O'Neal, a writer active in the mid-20th century, contributed significantly to the genre of cult cinema with his screenplays for Cry of the Werewolf (1944) and The Alligator People (1959). His work reflects the era's fascination with horror and the bizarre, crafting narratives that delve into the uncanny and the grotesque. O'Neal's ability to blend suspense with elements of the supernatural has left an indelible mark on the exploitation genre, positioning his films as essential viewing for enthusiasts of cult and grindhouse cinema.
Cry of the Werewolf
A Romani princess descended from Marie LaTour has the ability to change into a wolf at will, just like her late mother. When she learns that Marie LaTour's tomb has been discovered, she decides to use her talent to kill everyone who knows the location, because it is a sacred secret that only her people are allowed to know.
