Born in 1936 in Brazil, José Mojica Marins became a defining figure in cult cinema through his alter ego Coffin Joe. He not only directed but also acted and wrote for his films, bringing a distinctive style to the genre. His work in When the Gods Fall Asleep (1972) showcases his ability to blend horror with social commentary, while Exorcismo Negro (1974) further cements his legacy as a pioneer of Brazilian horror. Marins' contributions to film have left an indelible mark on the landscape of cult cinema.
When the Gods Fall Asleep
Finis Hominis is a mental patient who is kept in an insane asylum, and is known for his occasional escapes from the institution, including the most recent episode during which Finis Hominis became a powerful world figure during the few days of his escape. Again hospitalized, he sees in the news increasing social, religious, and political unrest in the world, and again feels the need to escape the institution to put order in the streets. He wanders through society, influencing and interfering in isolated incidents, correcting wrongs and exposing corruption primarily in a strictly accidental or coincidental manner. There is also a parallel sub-plot regarding the impending closure of the asylum due to the cessation of funding from an anonymous benefactor.
