Loel Minardi, a director known for his work in the 1960s, helmed Sinderella and the Golden Bra in 1964. This film stands as a notable example of erotic fantasy, blending elements of burlesque with a playful narrative twist. Minardi's direction captures the spirit of the era, contributing to the film's cult status among enthusiasts of exploitation cinema. His work invites viewers to explore the boundaries of genre, making Sinderella and the Golden Bra a memorable piece in the SassyFlix collection.
Sinderella and the Golden Bra
Prince David is having trouble finding a bride amongst the maidens of the village, so his father decides to hold a masked ball. Sinderella, an adopted French orphan, puts up with abuse from her stepmother and two stepsisters, and is not allowed to go to the ball. She is despondent until her inebriated fairy godfather appears and fixes her up real pretty and sends her on to the ball, with the admontion that she must return by midnight. Sinderella and the Prince get along famously, but the time flies and she leaves in a hurry, dropping her gilded support in her haste. The Prince mounts a desperate search for his loved one, requiring all the maidens of the village to try on the forgotten garment.
