Born in 1943, Chen Hung-Lieh emerged as a prominent figure in the Shaw Brothers studio, known for his compelling portrayals of villains throughout the 1960s to the 1980s. In Woman Prisoner No. 407 (1976) and its sequel Woman Prisoner No. 407 II (1976), he showcases his ability to embody complex antagonists, contributing to the gritty atmosphere of exploitation cinema. Chen's later work in Ninja and the Warriors of Fire (1987) further solidified his status in the genre, demonstrating his versatility and enduring presence in cult cinema.
Ninja and the Warriors of Fire
The Black Ninja Empire want a "confidential blueprint" in the possession of Vietnam vet Robin and will stop at nothing to get it. When Robin's fiancée is murdered, her sister joins the White Ninja Empire and teams up with Robin to wreak bloody vengeance.
