Peter Rader, a director born in the 1960s, made his mark in the realm of cult cinema with Grandmother's House (1988). Set against a backdrop of suburban normalcy, the film delves into the unsettling dynamics of family and trust. Rader's direction captures the essence of the era's exploitation genre, blending horror with a chilling narrative that resonates with fans of the bizarre. His work invites viewers to question the facade of domestic life, making Grandmother's House a notable entry in the cult film canon.
Grandmother's House
When their father dies, Lynn and her younger brother David have to move in with their grandparents. Their mother died already when they were young, so they were told. One morning a dead man is found near their new home. A friend tells David, that it’s not the first. Shortly after he sees his grandparents carry a body into the garage – are they the murderers? David calls the sheriff…
