VALENTINO
In life he was a movie star, in death he became a legend.
In 1926, the tragic and untimely death of a silent screen actor caused female movie-goers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. Ball-room dancer Valentino manipulated his good looks and bestial grace into a Hollywood career.
About This Film
In 1926, thousands of fans mob the wake of recently-deceased film star Rudolph Valentino in New York City. When order is restored at the funeral home, a series of important women in Valentino's life come to mourn. Each remembers him via flashbacks: The first of these women, Bianca de Saulles, knew Valentino when he was a taxi dancer and gigolo in New York City, working under a woman named Billie Streeter. Upon meeting him, he shares with her his dream of owning an orange grove in California. After mobsters rob Valentino, he decides he must make the move west. Specifically, Bianca reminisces of a day when she witnessed Valentino romantically dancing with male ballet dancer Vaslav Nijinsky, teaching him how to do the tango.
Next is a young movie executive and screenwriter named June Mathis, who has an unrequited love for Valentino. She first meets Valentino in California, where he upsets Fatty Arbuckle by grabbing the starlet next to Arbuckle and romancing her into becoming his first wife, actress Jean Acker. Acker's glamorous and luxurious life motivates Valentino to try acting himself. Mathis recalls seeing him in a bit part in a movie and, based on that alone, recommending him for a larger role in her next project, The Four Horsemen of the Apocalypse. The hugely successful 1921 film launches Valentino to superstardom, and she is proud to have discovered him.
Alla Nazimova subsequently makes a flamboyant entrance at Valentino's funeral. She proceeds to make a scene and, when the photographers ask her to repeat it for the cameras, she obliges. Nazimova claims a relationship with Valentino and recalls working on Camille with him. Next, Nazimova's friend, art designer Natacha Rambova (and second wife of Valentino) enters and tells reporters that, even though she and Valentino are physically separated, they are still close via the spirit world. Her flashback shows that she was at first Nazimova's lover, but took advantage of Valentino's infatuation with her to help her social climb. During the filming of The Sheik, Rambova seduces Valentino with a seven veils dance. Despite knowing he is in the midst of divorcing Acker, she insists on going to Mexico so they can marry. Once they return to the United States, Valentino is arrested for bigamy. Because Jesse Lasky refuses to pay bail for Valentino, he has to spend the night in jail, where the guards deny him bathroom privileges and, with the other prisoners, taunt him about his lack of masculinity. The result is his complete humiliation.
On the set of Valentino's subsequent film, Monsieur Beaucaire, Rambova and Sidney Olcott take over directing. Two stage hands, wondering if 'Rambova calls the shots in bed, too', toss a pink powder puff onto Valentino's lap. Rambova demands that whoever did it come forward or she and Valentino will walk off the set for good. Valentino finishes the picture, but Rambova insists he refuse future work at Paramount until Lasky meets certain demands. Lasky suspends them and the couple end up broke. A man named George Melford approaches them, offering to help them book personal appearances for Mineralava, a beauty product company. The tour is a success, and, with Melford's help, Valentino and Rambova negotiate a good deal with Lasky.
Later, Valentino reads a newspaper article questioning his manhood and implies he is homosexual. The article outrages Valentino, who challenges the reporter to a duel. For 'legal reasons' the duel becomes a boxing match. Rory O'Neil, who happens to be a professional boxer, stands in for the reporter. The fight becomes a ballet of sorts, and flashbacks to the dance with Nijinsky parallel the match. Valentino eventually lands a blow which wins him the fight. However, he now begins to exhibit signs of an ulcer.
O'Neil asks for a rematch, this time a drinking contest. Despite his ulcer, Valentino accepts. Although Valentino defeats O'Neil again, his excessive drinking exacerbates the ulcer, which perforates when he returns to his home that night. He dies crawling on the floor, unable to reach an orange he had drunkenly played with and dropped on the floor.
Next is a young movie executive and screenwriter named June Mathis, who has an unrequited love for Valentino. She first meets Valentino in California, where he upsets Fatty Arbuckle by grabbing the starlet next to Arbuckle and romancing her into becoming his first wife, actress Jean Acker. Acker's glamorous and luxurious life motivates Valentino to try acting himself. Mathis recalls seeing him in a bit part in a movie and, based on that alone, recommending him for a larger role in her next project, The Four Horsemen of the Apocalypse. The hugely successful 1921 film launches Valentino to superstardom, and she is proud to have discovered him.
Alla Nazimova subsequently makes a flamboyant entrance at Valentino's funeral. She proceeds to make a scene and, when the photographers ask her to repeat it for the cameras, she obliges. Nazimova claims a relationship with Valentino and recalls working on Camille with him. Next, Nazimova's friend, art designer Natacha Rambova (and second wife of Valentino) enters and tells reporters that, even though she and Valentino are physically separated, they are still close via the spirit world. Her flashback shows that she was at first Nazimova's lover, but took advantage of Valentino's infatuation with her to help her social climb. During the filming of The Sheik, Rambova seduces Valentino with a seven veils dance. Despite knowing he is in the midst of divorcing Acker, she insists on going to Mexico so they can marry. Once they return to the United States, Valentino is arrested for bigamy. Because Jesse Lasky refuses to pay bail for Valentino, he has to spend the night in jail, where the guards deny him bathroom privileges and, with the other prisoners, taunt him about his lack of masculinity. The result is his complete humiliation.
On the set of Valentino's subsequent film, Monsieur Beaucaire, Rambova and Sidney Olcott take over directing. Two stage hands, wondering if 'Rambova calls the shots in bed, too', toss a pink powder puff onto Valentino's lap. Rambova demands that whoever did it come forward or she and Valentino will walk off the set for good. Valentino finishes the picture, but Rambova insists he refuse future work at Paramount until Lasky meets certain demands. Lasky suspends them and the couple end up broke. A man named George Melford approaches them, offering to help them book personal appearances for Mineralava, a beauty product company. The tour is a success, and, with Melford's help, Valentino and Rambova negotiate a good deal with Lasky.
Later, Valentino reads a newspaper article questioning his manhood and implies he is homosexual. The article outrages Valentino, who challenges the reporter to a duel. For 'legal reasons' the duel becomes a boxing match. Rory O'Neil, who happens to be a professional boxer, stands in for the reporter. The fight becomes a ballet of sorts, and flashbacks to the dance with Nijinsky parallel the match. Valentino eventually lands a blow which wins him the fight. However, he now begins to exhibit signs of an ulcer.
O'Neil asks for a rematch, this time a drinking contest. Despite his ulcer, Valentino accepts. Although Valentino defeats O'Neil again, his excessive drinking exacerbates the ulcer, which perforates when he returns to his home that night. He dies crawling on the floor, unable to reach an orange he had drunkenly played with and dropped on the floor.
Film Details
Director
Ken Russell
Writers
Mardik Martin, Chaw Mank, Brad Steiger, Ken Russell
Tags
Keywords
Female Nudity
Murder
Female Rear Nudity
Psychotronic Film
Nudity
Female Topless Nudity
Female Full Frontal Nudity
Female Frontal Nudity
Blood
Death
Sex
Female Pubic Hair
Bare Chested Male
Male Rear Nudity
Lesbian
Police
Flashback
Male Nudity
Prostitute
Erotica
Husband Wife Relationship
Telephone Call
Fight
Kiss
Blood Splatter
Gun
Pubic Hair
Dead Body
Brutality
Male Frontal Nudity
Female Female Kiss
Undressing
Photograph
Dog
Dancing
Love
Beating
Drunkenness
One Word Title
Male Full Frontal Nudity
New York City
Mother Son Relationship
Policeman
Coffin
Mansion
Crying
Knocked Unconscious
Mirror
Infidelity
Money
Photographer
Male Pubic Hair
Nightclub
Masturbation
Humiliation
Arrest
Desert
Horse
Extramarital Affair
California
Whip
Listening To Music
Reporter
Horseback Riding
Camera
Home Invasion
Male Star Appears Nude
Drinking
Marriage
Beer
Urination
Widow
Singer
Underwear
Newspaper Headline
Homosexual
Newspaper
American
Letter
Breaking A Window
Satire
Los Angeles, California
Jail
Film Within A Film
Champagne
Morgue
Penis
Singing
Character Name As Title
Little Boy
Dancer
Tent
Unfaithfulness
Drink
Applause
Song
Movie Theater
Gay
Piano
Older Woman Younger Man Relationship
Cowgirl Sex Position
American Flag
Limousine
Cocaine
Orgasm
Dance
Gramophone
Mexico
Jail Cell
Monkey
Portrait
Interview
Archive Footage
Italian
Actor
Watching A Movie
Record Player
Divorce
Body Paint
Duel
Pianist
Gay Interest
Wristwatch
Film Director
Hollywood California
Cane
Machismo
Tears
Mental Breakdown
Flash Forward
Fired From A Job
Gigolo
Hatchet
Film Crew
Riot
Mob
Garter Belt
Hysteria
Movie Star
Fan
Dressing Room
Shot Through A Window
Incarceration
Bonfire
Flowers
Boxing
Dying
Wife Murders Her Husband
Bracelet
Bone
Cynicism
Spitting Blood
Homosexual Subtext
Period Drama
Umbrella
Ballet
Stepfather Stepdaughter Relationship
Unconsciousness
Man Wears A Tuxedo
Crystal Ball
Lesbian Subtext
Sports Car
Vulture
Paint
Demonstration
Top Hat
Climbing Through A Window
Hand Kissing
Breaking Through A Door
Megaphone
Boxer
Nonlinear Timeline
Veil
Cooking
Male Prostitute
Palm Tree
Salesman
Pie In The Face
Screenwriter
Movie Set
Film Producer
Masculinity
Some Scenes In Black And White
Nude Photoshoot
Rottweiler
Recording
Tap Dancing
Pajamas
Boxing Ring
Ketchup
Publicity
Screen Test
Rumor
Orchestra
Caught In The Act
1910s
Poet
Contract
Business Card
Spaghetti
Punching Bag
Bloody Nose
Rape Threat
Cinephile
Newsreel Footage
Flash Camera
Brass Knuckles
Distress
Tuxedo
Bail
Tour
Vanity
Theater Audience
Honor
Screening Room
Rudolph Valentino Character
Bull Fight
Woman Pretends To Faint
Year 1926
Vaudeville
Billy Club
Practical Joker
Chorus Girl
Self Respect
Spirituality
Punched In The Gut
Dancing On A Table
Salute
Referee
Dance Team
Boxing Gloves
Broken Heel
Bigamy
Starlet
Open Casket
Theatrical Agent
Mourning
Autograph
Gossip
Dance Hall
Ballet Dancer
Man Dances With A Man
Funeral Wreath
Alla Nazimova Character
Lying In State
Dancing On A Bar
Eating A French Fry With Ketchup
Boxing Glove
Reference To Wallace Reid
Plush
Sweating Bare Chested Male
Craze
Former Champion
Joy Buzzer
Year 1919
Newspaper Editorial
Belch
Reference To Omar Khayyam
Gaucho
Adoration
Stuffed Bear
Reference To Douglas Fairbanks
Powder Puff
Biting Hand
Wearing A Lamp Shade On One's Head
Mineral Lava
Reference To Robinson Crusoe
Fortune Telling
Rex Ingram
Reference To Mary Pickford
Costume Malfunction
Reference To Coconut Grove
Tango
Reflection In The Floor
Challenged To A Boxing Match
Perfume Business
Burst Appendix
Reference To Anna Pavlova
Reference To Benito Mussolini
Reference To Afternoon Of The Faun
Mexican Law
French Fries
Italian Stereotype
Bead Curtain
Sheik Of Araby
Mexican Jumping Bean
Drinking Contest
Orange The Fruit
Falcon's Lair
Star Spangled Banner
Studio Boss
Western Filmmaking
Water Thrown Into Someone's Face
Satirical Song
Romance Filmmaking
Predicting The Future
Beauty Products
Silent Filmmaking
Italian Slur
Black And White And Color