ELEVEN DAYS ELEVEN NIGHTS

On a boat ride in New Orleans, Michael, a yuppie working in construction, meets writer and libertine Sarah Asproon. For her publisher, Sarah needs to finish an autobiographical book about her 100 erotic conquests and chooses her chance acquaintance Michael as her last and crowning conquest. However, he is about to marry Helen.

Michael and Sarah strike an erotic pact for 11 days and 11 nights and live through a number sexual adventures with each other. After a while, Helen becomes suspicious and starts following them.

At the end of the time, Sarah has fallen in love with Michael. When she reveals to Michael her initial scheme of using him for her book, however, he takes her forcefully from behind and leaves her for his future wife.

After Sarah confesses that Michael was her final conquest for her book, Michael forcibly ends their liaison and leaves her to return to his fiancée Helen.

The ending brings the film's erotic game to a harsh resolution, as the transactional nature of Sarah's seduction is exposed. Michael's reaction—marked by anger and dominance—signals a return to conventional commitments, while Sarah is left to confront the emotional fallout of her scheme. The film closes on a note of disillusionment, questioning whether passion pursued for art or conquest can ever yield genuine connection.