THE INNOCENTS
A young governess for two children becomes convinced that the house and grounds are haunted. In Victorian England, the uncle of orphaned niece Flora and nephew Miles hires Miss Giddens as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel and valet Peter Quint are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits.
About This Film
Miss Giddens applies for her first job as a governess. The wealthy bachelor interviewing her is unconcerned with her lack of experience. He values his freedom to travel and socialise and unabashedly confesses that he has "no room, mentally or emotionally" for his niece and nephew. They were orphaned and left in his care as infants, and he keeps them at Bly, his large country estate. The previous governess, Mary Jessel, died suddenly less than a year ago. All he cares about is that Miss Giddens accept full responsibility for the children, never troubling him with whatever problems may arise.
At Bly, Miss Giddens is instantly taken with Flora, the niece. She also forges a friendship with Mrs. Grose, the kindly housekeeper. The boy, Miles, is away at boarding school, but soon returns to Bly after being expelled from school for being a "bad influence" on his peers. Mrs. Grose says she cannot imagine Miles misbehaving, and when Miss Giddens meets the boy herself, she too thinks his teachers must have exaggerated. He seems charming and mature – though perhaps too mature, with flirtatious flattery toward his governess.
Miss Giddens soon grows disturbed by the children's occasional odd behaviours and secretiveness, and is bothered by disembodied voices and apparitions of a man and woman she witnesses in the house, whom Mrs. Grose identifies, from their descriptions, as Miss Jessel and Peter Quint, another deceased employee of the children's uncle. Mrs. Grose also reluctantly reveals that the two were in a relationship prior to their deaths. Miss Giddens concludes that the ghosts of Quint and Miss Jessel possess the bodies of the children so they can physically continue their relationship. She is determined to rescue them from this possession.
One night, while left alone with Miles, Miss Giddens presses him to talk about the ghosts, and about why he was expelled from school. Initially, Miles is glib and evasive, but he eventually admits that he frightened the other boys with violence and vulgar language. Miss Giddens enjoins him to say who taught him this language and behaviour. Miles suddenly begins yelling obscene insults and laughing maniacally, and Quint's face appears in the window behind him, joining in the boy's laughter. Miles then runs outside; Miss Giddens follows, begging him to "say his name." Quint appears on a hedge nearby, but Miles does not appear to see him. He finally shouts Quint's name, and Quint appears. Miles grows still and falls to the ground. Miss Giddens cradles him and assures him that he is free. She then realises that Miles is dead. Sobbing, she leans over him and kisses him on the lips.
At Bly, Miss Giddens is instantly taken with Flora, the niece. She also forges a friendship with Mrs. Grose, the kindly housekeeper. The boy, Miles, is away at boarding school, but soon returns to Bly after being expelled from school for being a "bad influence" on his peers. Mrs. Grose says she cannot imagine Miles misbehaving, and when Miss Giddens meets the boy herself, she too thinks his teachers must have exaggerated. He seems charming and mature – though perhaps too mature, with flirtatious flattery toward his governess.
Miss Giddens soon grows disturbed by the children's occasional odd behaviours and secretiveness, and is bothered by disembodied voices and apparitions of a man and woman she witnesses in the house, whom Mrs. Grose identifies, from their descriptions, as Miss Jessel and Peter Quint, another deceased employee of the children's uncle. Mrs. Grose also reluctantly reveals that the two were in a relationship prior to their deaths. Miss Giddens concludes that the ghosts of Quint and Miss Jessel possess the bodies of the children so they can physically continue their relationship. She is determined to rescue them from this possession.
One night, while left alone with Miles, Miss Giddens presses him to talk about the ghosts, and about why he was expelled from school. Initially, Miles is glib and evasive, but he eventually admits that he frightened the other boys with violence and vulgar language. Miss Giddens enjoins him to say who taught him this language and behaviour. Miles suddenly begins yelling obscene insults and laughing maniacally, and Quint's face appears in the window behind him, joining in the boy's laughter. Miles then runs outside; Miss Giddens follows, begging him to "say his name." Quint appears on a hedge nearby, but Miles does not appear to see him. He finally shouts Quint's name, and Quint appears. Miles grows still and falls to the ground. Miss Giddens cradles him and assures him that he is free. She then realises that Miles is dead. Sobbing, she leans over him and kisses him on the lips.
Film Details
Director
Jack Clayton
Writers
Henry James, Truman Capote, William Archibald, Jeanie Sims
Keywords
Psychotronic Film
Death
Kiss
Lust
Female Protagonist
Supernatural Power
Fear
Young
Suicide
Insanity
Based On Novel
Cruelty
Nightmare
Screaming
Photograph
Scream
Dancing
Two Word Title
Brother Sister Relationship
Boy
Boat
Title Spoken By Character
Girl
Male Female Relationship
Possession
Crying
Mansion
Corruption
Cat
Obsession
House
Ghost
Hallucination
Church
Suspense
Horseback Riding
Mental Illness
Child In Jeopardy
Candle
Bedroom
Train
Maid
Supernatural Horror
England
England
Rain
Dream Sequence
Singer
Rural Setting
Fireplace
Servant
Teacher
Lake
Letter
Orphan
Horse And Carriage
Old Dark House
Countryside
Gothic Horror
Singing
Housekeeper
Gothic
Haunted House
Depravity
Statue
Dancer
Heavy Rain
Dress
Loneliness
Song
Rowboat
Train Station
Piano
Delusion
Sadomasochism
Rooftop
Prayer
Uncle Niece Relationship
Teacher Student Relationship
Sexual Repression
Bible
Drawing
Death Of Child
Attic
Uncle Nephew Relationship
Pianist
Candelabra
Hat
Humming
Haunting
Vision
Praying
Dead Child
Costume Horror
Tower
Bird
Insect
Schizophrenia
London
Hysteria
Thunder
Costume
Gate
Flowers
Children
Apparition
Hearing Voices
Repression
Music Box
1800s
Wind
Sibling Relationship
Downward Spiral
Estate
Dead Bird
Shock
1890s
Country Estate
Poem
Butterfly
Bath
Country House
Pigeon
Kiss On The Lips
Whispering
Church Bell
Stairway
Hide And Seek
Garden
Valet
Tween Girl
Cap
English Countryside
Bodily Possession
Governess
Bachelor
Soul
Old Mansion
Poetry
Counting
Job Interview
Imagination
Property
Child's Drawing
Tea
Belief In God
Jack In The Box
Gazebo
Precocious Child
Deliberate Cruelty
Tortoise
Illiteracy
Poetry Recitation
Rocking Horse
Pony
Filth
Vile
School Expulsion
Canopy Bed
Possessed Human
Deep Focus
Babysitter In Jeopardy
Adult Woman Kisses An Underage Boy
School Room
Toy Boat
Dead Pigeon
Bedtime
Belief In Heaven
Obscenity
Flower Garden
Neglect
Roses
Recurring Song
Also Known As
Os Inocentes, The Turn of the Screw, Os Inocentes, Schloß des Schreckens, Невинные