STUNTWOMAN

Mike Gauché (Jean-Paul Belmondo) is a professional film stuntman who works with his fiancée Jane Gardner (Raquel Welch). However minutes before their long planned marriage they are called to perform a car stunt for a movie but it goes wrong, as a brake problem causes their car to fall and they end up in a hospital with bruises and broken legs. Exasperated by the behavior of her fiancé, Jane decides to leave. After his recovery Mike is no longer able to find work in the movie business and is forced to simulate intellectual disability and to invent a family to receive Social Security benefits. One day his stuntman friend Santos asks him to replace him from time to time at his job which involves dressing up as a gorilla for advertising pasta at a supermarket.

Mike's luck begins to improve as he gets offered a high salary to do the stunts of an effeminate movie star Bruno Ferrari (Jean-Paul Belmondo) whom he proves to be a dead ringer to. Ferrari, while filming an action movie, suffers from vertigo and finds himself unable to perform dangerous sequences. Mike does not hesitate to get rid of his new stunt partner in order to replace her with Jane, who is enamored with the Count of Saint-Prix (Raymond Gérôme). Having heard the news Mike goes to the Count while impersonating a server in order to propose the offer to Jane. When he hears that the Count has asked to marry Jane he manically sabotages the dinner and makes Jane promise to do the film.

Desperate to regain Jane, Mike impersonates Ferrari who turns out to be gay, to seduce her. However the young woman is not fooled. Mike must perform a dangerous stunt on the wing of an airplane to an audience of journalists who think they are seeing Ferrari, where his life is saved from the accident by Jane, who is to marry the Count very soon. Meanwhile, the press discovers that Ferrari is not doing his own stunts.

While the wedding ceremony takes place at the castle of the Count, Mike arrives disguised as a gorilla, scaring guests with animals from the property, and takes Jane, who refuses to marry Count of Saint-Prix, preferring to live her life with Mike.

Mike crashes the Count's wedding disguised as a gorilla, scares the guests, and Jane refuses to marry the Count, choosing to be with Mike instead.

The ending cements the film’s farcical tone, with Mike's outrageous antics literally disrupting the wedding and winning back his lost love. Jane’s ultimate decision to reject the Count in favor of Mike brings the romantic and comedic threads full circle, emphasizing the unpredictability and resilience at the heart of their relationship. The film closes on a note of restored love, underlining that, in this world, chaos and affection go hand in hand.