Arlette Emmery emerged in the 1970s as a notable presence in cult cinema, appearing in films that explored the fringes of genre storytelling. In Threshold of the Void (1974), she captivates audiences with her compelling performance, while her role in Stuntwoman (1977) highlights her versatility and physicality in a male-dominated industry. Emmery's work in Death of a Corrupt Man (1977) further cements her status as a key figure in the exploitation genre, contributing to the vibrant tapestry of grindhouse cinema.
Threshold of the Void
The young artist Wanda Leibovitz comes to Paris, hoping to forget unfortunate love. Soon after arrival directly at the station Wanda meets the mysterious old woman suggesting to rent at it the room (whom the old woman, allegedly, held ready for the now deceased sister). Wanda doesn't know yet that this room will change all her life shortly after it slightly opens a mysterious forbidden door.
