Intersecting lives and fractured dreams in sun-drenched 1970s Los Angeles.
WELCOME TO L.A.
The City of the One Night Stands.
The lives of a group of Hollywood neurotics intersect over the Christmas holidays. Foremost among them, a songwriter visits Los Angeles to work on a singer's album. The gig, unbeknownst to him, is being bankrolled by his estranged father, a dairy magnate, who hopes to reunite with his son. When the songwriter meets an eccentric housewife who fancies herself a modern-day Garbo, his world of illusions comes crashing down.
Welcome to L.A. is a 1976 American drama and romance film directed by Alan Rudolph about a group of Hollywood neurotics whose lives intertwine over the Christmas holidays, centering on a songwriter invited to Los Angeles to work on an album, only to find himself entangled in a web of relationships and illusions.
Synopsis
Susan expects Carroll to resume a past affair they had, but he rejects her and instead has sex with Ann when she shows him his house. Ann tries unsuccessfully to continue the affair by dropping in on Carroll at home and bringing Linda over to clean. However, Carroll shows himself to be a womanizer, seemingly incapable of connecting with anyone. He visits his wealthy father Carl, whom he has not seen in three years. Carl, with the help of Ken Hood, has built the small Barber family dairy into a major business. Carroll ends up having affairs with receptionist Jeannette (Diahnne Abbott) and his father's photographer mistress Nona (Lauren Hutton).
Ken works long hours at the Barber business and neglects his wife, Karen (Geraldine Chaplin), a housewife and mother who is obsessed with taxi rides and the Greta Garbo film Camille. While Carroll is drinking and driving through the city, he randomly meets Karen and is drawn to her. He takes her to his home but when he tries to romance her, she reveals she is married (though not to whom) and departs. She later leaves him her telephone number, but refuses to take his repeated calls. Linda, who has moved into Carroll's spare room, invites Ken to visit her there, where he meets Ann.
Just before Christmas, Ken is thrilled to learn that Carl has made him partner in the business, but Karen is not happy that he will be spending even more time at work. On Christmas Eve, Ken gets drunk and calls Ann, but their date ends badly as Ken can't stop thinking of his wife. Meanwhile, Jack and Linda spend the evening together, which also ends badly when Linda asks Jack for money. Jack and Ann, both disappointed, return home and have sex with each other.
An angry Susan reveals to Carroll that Eric doesn't like his songs, and that she and Carroll's father bribed Eric to record the album in order to get Carroll to come to Los Angeles. Susan and Carl each hoped to build their separate relationships with Carroll, only to be thwarted by his lack of response. Karen, the only person who seems to have truly piqued Carroll's interest, finally appears at his home, but just as they are about to have sex, Ken telephones, upset and looking for his wife. Upon realizing that Karen is Ken's wife and seems primarily interested in her husband, Carroll leaves while Karen and Ken are reconciling on the phone, just as Linda arrives home. Linda, eavesdropping, hears the voice of Ken, her own crush, on the phone, saying the same things to Karen about relationships that he earlier said to Linda. Linda furtively disconnects the phone, then tries to bond with Karen, who imitates Garbo in Camille. Carroll goes to the recording studio and discovers that Eric Wood has decided not to finish the album.
Why Cult
With Keith Carradine, Sally Kellerman, Harvey Keitel, Sissy Spacek, and more, the film gives a star-studded face to every neurotic in Hollywood.
The intersecting lives of Hollywood’s discontents play out against the backdrop of the Christmas holidays, adding bittersweet sparkle to the drama.
A musician’s return to L.A. to record an album sets off a chain reaction among his manager, estranged father, and a string of romantic entanglements.
One eccentric housewife fancies herself a modern-day Garbo, bringing a twist of faded glamour to the labyrinth of relationships.
Questions from the Vault
What is Welcome to L.A. about? +
Welcome to L.A. follows a songwriter who comes to Los Angeles for a recording session, leading to a series of intersecting relationships among Hollywood’s neurotic residents during the Christmas holidays.
When was Welcome to L.A. released? +
Welcome to L.A. was released in 1976.
Who directed Welcome to L.A.? +
Welcome to L.A. was directed by Alan Rudolph.
How long is Welcome to L.A.? +
Welcome to L.A. has a runtime of 106 minutes.
What genre is Welcome to L.A.? +
Welcome to L.A. is a drama and romance film.
Where can I watch Welcome to L.A.? +
Welcome to L.A. is available to watch on SassyFlix.