Born in 1920 in Montreal, Henry Corden made his mark in cult cinema with a diverse range of roles. He appears in The Black Castle (1952) as a supporting actor, showcasing his ability to navigate the dark, atmospheric narratives typical of the era. Corden also starred in Phantom of the Rue Morgue (1954), where he contributed to the film's eerie ambiance. His versatility is further highlighted in Strange Bedfellows (1965), a film that blends comedy with elements of intrigue, reflecting the shifting landscape of genre cinema during the 1960s.
Strange Bedfellows
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
