Lucretia Love emerged in the late 1960s, making her mark in the realm of cult cinema with a string of notable performances. In The She Beast (1966), she captivates as a central figure in a narrative steeped in horror and eroticism. Love's versatility shines through in Blindman (1971), where she navigates the wild world of spaghetti westerns, and in When Men Carried Clubs and Women Played Ding-Dong (1971), she embraces the absurdity of gender roles. With appearances in films like Zenabel (1969) and The Devil with Seven Faces (1971), her contributions are integral to the exploration of exploitation cinema.
Enter the Devil
After a female art student purchases a life-size wooden sculpture of a crucifixion from an abandoned church, she has a vision of herself being nailed to a cross and soon becomes sexually tormented by the sculpture when it comes to life.
