Antonio Monselesan, active in the 1960s and 1970s, is known for his roles in cult cinema, particularly in Cry of Death (1968) and The Bloody Hands of the Law (1973). In Cry of Death, he brings a gritty realism to the screen, embodying the tension and drama of the era. His performance in The Bloody Hands of the Law further solidifies his place in the landscape of exploitation films, where he navigates the murky waters of crime and justice. Monselesan's contributions to these films reflect the raw energy and boundary-pushing narratives of the genre.
The Bloody Hands of the Law
When a crime boss is murdered while in hospital, a young woman sees the killers, but her room mate convinces her not to tell the police, fearing the consequences. Unfortunately the murderers realize that they have been seen, and kill both women. Catching the killers proves difficult as anyone who knows anything dies in unexplained circumstances. It becomes evident that a large and powerful criminal organization is behind the murders, and that they have links within the police force. It is up to Lt. Carmine to see that justice prevails, using any means necessary. This pro-police brutality thriller has some unforgettable violence (e.g. castration via a blowtorch, some nasty shootings, etc.) and it’s very well crafted with solid performances and a neat plot. Check it out; you won’t be disappointed.
