Karl Stegger, a notable figure in the realm of cult cinema, made his mark in the 1970s with his performances in erotic and provocative films. He appears in I, a Woman, Part 2 (1968), showcasing the era's exploration of sexuality, and continues to captivate audiences with roles in Bedroom Mazurka (1970) and Bedside Dentist (1971). His work in Jumpin' at the Bedside (1976) further solidifies his presence in the genre, where he navigates the blend of humor and eroticism that defines this unique cinematic landscape.
Bedside Dentist
Thomas, a naive young dental student, faces a rather difficult challenge. His millionaire aunt, a bit of a sex nut, will give both him and his dental school millions if he can prove that he is sexually able and skillful. His schoolmates hear rumors of this trial, but understand the challenge to be for him to keep his celibacy.
