Born in Zaragoza in 1923, José María Forqué emerged as a significant figure in Spanish cinema, known for his work in the 1970s. As a director and writer, he crafted provocative narratives that pushed boundaries, notably in In the Eye of the Hurricane (1971), where he explores themes of chaos and personal turmoil. His directorial vision in Beyond Erotica (1974) further cemented his role in the erotic thriller genre, showcasing his ability to blend social commentary with sensational storytelling. Forqué's contributions to cult cinema continue to resonate within the realms of exploitation and giallo.
In the Eye of the Hurricane
Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things start happening. The brakes of the car fail, and Ruth narrowly escapes death. The driving equipment goes faulty, and Ruth almost drowns. Michel turns up at their doorstep for an uninvited social call, and Paul asks him in. Ruth suspects Michel of being the person behind the mechanical faults of the car and the diving equipment, but Paul dismisses such a possibility - but he does suggest it to Michel. Then, the heat does go up.
