Born Martha MacVicar in the early 1920s, Martha Vickers made a significant impact in the world of cult cinema with her performances in Captive Wild Woman (1943) and The Burglar (1957). In Captive Wild Woman, she captivates as the tragic figure caught in a bizarre experiment, while in The Burglar, her role adds depth to the film's noir atmosphere. Vickers' work reflects the era's fascination with both the exotic and the criminal, making her a notable figure in the exploration of mid-century genre films.
The Burglar
Burglar Nat Harbin and his two associates set their sights on wealthy spiritualist Sister Sarah, who has inherited a fortune -- including a renowned emerald necklace -- from a Philadelphia financier. Using Nat's female ward, Gladden, to pose as an admirer and case the mansion where the woman lives, they set up a perfect break-in. Things get complicated afterwards.
