Born in the 1940s, Cara Peters emerged from the vibrant underground film scene, making her mark in the 1960s with a string of notable performances. Her role in Hells Angels on Wheels (1967) captures the raw energy of the counterculture movement, while Mondo Mod (1967) highlights her ability to navigate the provocative themes of the era. Peters also appears in Europe in the Raw (1963) and The Curious Female (1970), cementing her status as a key figure in the exploitation genre and contributing to the rich tapestry of cult cinema.
Brand of Shame
A young school teacher arrives in Boon City/Porno Hill, Texas seeking the deed to her inherited mine. Django kidnaps the girl and in exchange for the deed forces her to give him and his gang sexual pleasure.
