Paul Aaron, born in 1942, transitioned from theater to film, making a notable mark in the cult genre. He directed Maxie (1985), a film that blends comedy and supernatural elements, showcasing his knack for quirky storytelling. As a writer for The Octagon (1980), he contributed to the martial arts genre, further solidifying his versatility. With roots in Los Angeles and a background in theater, Aaron's work reflects a keen understanding of character-driven narratives that resonate within the cult film community.
Maxie
When Nick and Jan move into their new apartment in San Francisco, the batty landlady upstairs tells them about a girl who used to live there in the 20's: a brash young party girl named Maxie, who died in a car crash the morning before her big audition for a Hollywood studio. The trouble is, Maxie, or rather her ghost, hasn't left the house. Worse, she can take over Jan's body. And the only way she's going to leave is if she gets that audition.
