Born in Chicago, Illinois, Martin Mull emerged in the 1970s comedy scene with a unique blend of dry wit and offbeat humor. He appears as a memorable character in O.C. and Stiggs (1985), showcasing his comedic talents in a satire that captures the absurdities of youth culture. Mull's contributions continue with The Boss' Wife (1986) and Cutting Class (1989), where his distinctive presence adds depth to the often outrageous narratives typical of cult cinema. His background in stand-up and television further enriches his roles, making him a notable figure within the realms of exploitation and dark comedy.
Cutting Class
High school student Paula Carson's affections are being sought after by two of her classmates: Dwight, the "bad boy", and Brian, a disturbed young man who has just been released from a mental hospital where he was committed following the suspicious death of his father. Soon after being released, more murders start happening. Is Brian back to his old tricks, or is Dwight just trying to eliminate the competition?
