Robert Sacchi, born in 1938, carved out a niche in cult cinema as a Humphrey Bogart lookalike. His film debut came in 1972 with The French Sex Murders, where he played a Bogart-styled Parisian detective, setting the tone for his career. That same year, he appeared in Pulp, embodying the character of The Bogeyman alongside Michael Caine. Sacchi continued to explore diverse roles in films such as Across 110th Street (1972) and later Funland (1987), solidifying his presence in the realm of exploitation and grindhouse cinema.
Across 110th Street
Jim Harris goes with his partners to steal $300,000 from a Mafia-controlled policy bank in Harlem, disguised as police officers. The robbery goes wrong and results in the deaths of seven men — three black gangsters, two members of the Mafia, and two police officers. Lieutenant William Pope, a strait-laced black police officer is assigned to work the case with aging Captain Frank Mattelli, a street-wise but racist Italian-American cop. Although Lieutenant Pope works strictly by the book and states that he is in charge of the investigation, he struggles to restrain Mattelli, who receives money from Doc Johnson, the leader of black organized crime in Harlem. Over the course of roughly twenty-four hours, Pope and Mattelli race to get to the criminals before they can be hunted down by the Mafia, which is also searching for Harris’ crew. The Italians are led by Nick DiSalvio, a savage capo who plans to torture the robbers, when he finds them, to deter others from trying what they did.
