HAVING A WILD WEEKEND

The five are living together in a London flat. They make breakfast then drive to Smithfield Market, passing multiple advertising posters featuring a girl and the slogan "Meat for Go".

During the filming of a TV commercial for a "Meat for Go" campaign set in London's Smithfield Market, stuntman Steve, disillusioned by the inanity of his job, absconds in an E-type Jaguar (260 EYW, one of the props) with a young actress/model, Dinah. After a visit to Oasis Swimming Pools, an open-air swimming pool in central London, and a scene in and around the Great Conservatory on the grounds of Syon House, they make their way across a wintry southern England toward Burgh Island, off the coast of Devon. Dinah is contemplating buying the island, presumably to escape the pressures of her celebrity as the "Butcher Girl" in the TV meat advertising campaign. This act of rebellion is cynically exploited by the advertising executive behind the campaign, Leon Zissell, who dispatches two of his henchmen to pursue the fleeing couple.

On their journey, Steve and Dinah first encounter a group of beatniks squatting in MOD-owned buildings on Salisbury Plain (some of this sequence was shot in the evacuated village of Imber), and then, an eccentric, upper-class, middle-aged married couple in the opulent surroundings of the Royal Crescent in Bath, Somerset. Steve also plans to visit his boyhood hero, Louie, whose youth club in London's East End he attended, and who has since relocated to Devon.

Having fled the police and Zissell's henchmen after a fancy-dress party in the Roman Baths at Bath, Steve and Dinah (with the rest of Steve's gang and the police in pursuit) make their way toward Devon. Louie recognises Dinah instantly because of her TV celebrity, but fails to recognise Steve and misremembers his name, even after being introduced. Dinah's island also proves to be disappointing; at low tide, it is reachable from the mainland, and Zissell, who is besotted with Dinah, has already arrived. A crowd arrives around the two, where Steve elects to say goodbye to Dinah and leaves with his friends.

Steve and Dinah’s escape ends on Burgh Island, where Dinah’s dream of isolation is dashed and Steve chooses to part ways, leaving Dinah behind as he departs with his friends.

The ending underscores the fleeting nature of rebellion and the hollowness of celebrity. Dinah’s island, meant to be an escape, is easily breached, symbolizing how personal freedom is compromised by public attention and commercial interests. Steve’s quiet exit and Dinah’s disappointment reflect the film’s skepticism toward both idol worship and the promises of advertising, leaving its characters with a bittersweet taste of independence.