TWENTY PLUS TWO

In 1961, Tom Alder (Janssen) is a private investigator in Los Angeles who specializes in locating lost heirs.

Prompted by a Los Angeles police friend to poke his nose into the murder of a movie star's fan club secretary, he becomes intrigued by its potential connection to the disappearance of a then 16-year-old Doris Delaney, a wealthy young woman who went missing from her New York City school 13 years earlier. In spite of a search that had cost her father three-quarters of a million dollars in 1948, not a clue as to why or where she had gone was ever found.

Following up on his own initiative, he discovers a possible clue linking the murder to the Delaney case that police had missed. It leads him to Leroy Dane, a Hollywood action hero with, it turns out, a suspect World War II hero record.

Alder’s investigation also brings him back into the sphere of teenage flame Linda Foster (Crain), who had sent him a Dear John letter while he was serving in the Korean War. Now divorced and dating a wealthy and influential man, the vixenish 29 year-old is powerfully attracted by Alder and throws herself at him. She is bosom friends with attractive, late-twenties Nikki Kovacs (Merrill), whom Alder just catches a glimpse of.

While on a plane to New York City to pursue the Delaney case still on his own dime, Alder is seated next to Nikki; sensing something familiar about her, he starts a conversation. Later, in his hotel room, he is approached by Frenchy Pleschette, a career conman who's spent half his life in prison. He tries to hire Alder to find his missing younger brother, Auguste, first seeking to lure Alder with a $1,000 bill (and the promise of nine more like it), then at the threat of a gun. Both fail.

Alder interviews the reclusive and suspicious Mrs. Delaney, who asserts she knows her daughter is still alive. She has no proof, only the conviction that Doris would have left some clue to let her know had she died. Initially brusque to Alder she warms up to him as he reveals the sincerity of his interest, and insight into her daughter neither she nor Doris' father had had, either before Doris' disappearance or after.

Linda follows Nikki to Chicago and discovers she is missing. Alder eventually remembers meeting a woman too close to being Kovacs not to be at an escort club in Japan while recuperating from a wartime combat wound. Calling herself Lily Brown, she was sympathetic to Tom's Dear John woe, and alluded to deep troubles of her own, kept just as deeply buried. Putting puzzle pieces together Tom recognizes that she is the missing heiress Doris Delaney, and races to Chicago to pick up her trail.

Alder's investigations establish Dane as the likely killer of his secretary. When Dane also shows up in Chicago Alder baits him that he is close to drawing an even bigger noose tight around his neck.

Both Linda's boyfriend and Nikki's fiancé fly to Chicago, each in pursuit of their woman, and arrive at the same hotel everyone's staying in, and Nikki had disappeared from. The remaining five all awkwardly meet.

Alder heads for the Pleschette family homestead in South Dakota, trailed - as he has been since leaving L.A. - by Frenchy. He gets there first, and discovers a stranded Nikki. She emotionally confesses that she had been raped as a teen by a man who had lured her to his apartment, who later brought a friend to it. Fearing she'd be shared with him as well, she had shot and killed the rapist, then fled in too great a shame to subject her family both to her pregnancy and a murder trial. She lost the child and had ended up a prostitute in Japan.

After Frenchy joins them at the home Dane arrives, who is revealed to be both Auguste Pleschette and Nikki's rapist. He confesses to having operating not merely under a Hollywood stage name but to have killed and stolen the identity of the other man present when Nikki had merely superficially wounded him, an ex-G.I. friend with the wartime experiences Lane has claimed - all precisely as Alder had put together.

In a showdown between the two brothers, Lane announces his intention to kill his three pursuers, sparing only his dottering father. Resolving himself to an extended return to prison, Frenchy guns Lane down before he can shoot. Alder and Nikki resume the romance they had started in Japan. Linda is left to her own devices, just as she had once left her youthful beau.

Alder identifies Nikki Kovacs as the missing heiress Doris Delaney, exposes the killer of the fan club secretary, and resolves the intertwined mysteries.

The film’s conclusion ties together personal trauma, mistaken identities, and the tenacity of the investigator. Alder’s perseverance leads to the rediscovery of Doris Delaney’s true identity and unearths the truth behind the secretary’s murder, offering closure to a case that haunted many for over a decade. The ending underlines how secrets and past traumas can ripple through time, only to finally surface through relentless investigation.