BUSTER AND BILLIE

In a small Georgia town in 1948, Buster Lane (Jan-Michael Vincent) is a handsome, popular high-school senior, who is engaged to be married to his pretty, popular high-school sweetheart Margie Hooks (Pamela Sue Martin). He is the 'big man on campus' and the leader of his group of friends.

Buster's friends often visit a girl from an underprivileged background named Billie-Jo Truluck (Joan Goodfellow), who dourly gives them the sexual favors they want. Meanwhile, Buster becomes disenchanted with Margie's refusal to have sex with him, and begins seeing Billie in secret.

At first he sees Billie just for sex but eventually finds himself falling in love with her. He becomes, in fact, so taken with Billie that he breaks off his engagement with Margie and starts appearing in public with Billie, who finds a new lease on life with Buster. They are happy for the first time in their lives. Happiness for them, though, is short-lived.

Buster's friends are extremely jealous that they cannot have Billie for their own use anymore and corner her one day when they are drunk and find her out walking. When she refuses to submit to them, they rape and kill her in the heat of the moment. Buster eventually finds her dead, and is hysterical. He then goes to the pool hall where his friends are, with the guilt evident on the faces of the main perpetrators of the crime.

Enraged, Buster kills two of them, while injuring the other two. He is put into jail for this, but is released on bail the day after her funeral, which no one attends except his parents. He rips up a truckload of flowers from garden beds in the town, and takes these flowers to Billie's graveside.

After Billie is raped and killed by Buster's jealous friends, Buster avenges her by killing two of them and injuring others. He is jailed but released on bail after her funeral, which only his parents attend, and mourns Billie at her graveside.

The ending delivers a bleak reckoning for both Buster and his small-town world. Justice is meted out personally and violently by Buster, reflecting the impotence of the adult world to protect the vulnerable. The solitary funeral and Buster’s grief-laden tribute underscore the film’s tragic message about social cruelty and the cost of defying rigid norms. The devastation left in the wake of Billie’s death lingers, indicting both the perpetrators and the bystanders who enabled their actions.