Ugo Liberatore, born in 1927, was a prolific Italian director and writer whose work shaped the landscape of cult cinema. He directed and wrote Damned in Venice (1978), a film that blends exploitation with psychological depth, showcasing his unique storytelling approach. Liberatore also penned The Witch (1966) and Hercules and the Princess of Troy (1965), contributing to the rich tapestry of genre films that defined the era. His films often explore themes of desire and power, making him a significant figure in the realms of giallo and exploitation.
Damned in Venice
A blind boy, who lives alone with his mean sister in a rundown hotel in Venice, receives a vision that warns him of the upcoming birth of the Antichrist. Soon, his sister mysteriously becomes pregnant. “Damned in Venice” is a neglected gem. It offers some genuine shocks and a nice amount of female nudity. The Venetian location sets are gloomy, decayed and oppressive and there is a bit of gore including pretty nasty scene of child murder. It’s great to see Lorraine DeSelle and Olga Karlatos of “Zombi 2” fame in the small roles.
