The Ribald Tales of Robin Hood

Overview:

In Sherwood forest every day is a party. It is teeming with ladies with whom Robin and his lusty men have a great time. Until his greatest enemy, the evil Prince John, makes an end to all the fun. He kidnaps Maid Marian and locks her up in his torture chamber.

Released: 1969-10-29

Duration: 01:17:00

Genre: Adventure, Comedy

Tags: Sexploitation, Parody

Keywords: Female Full Frontal Nudity, Robin Hood, Female Rear Nudity, ...

Director: Erwin C. Dietrich, Richard Kanter

Writer: Richard Kanter, Lawrence Morse

Cast: James Brand, Lynn Cartwright, Steve Vincent, ...

Director: Erwin C. Dietrich Richard Kanter

Writer: Richard Kanter Lawrence Morse

Cast: James Brand Lynn Cartwright Steve Vincent Ralph Jenkins Dee Lockwood Scott Sizemore C.S. Poole Frank Nathan Wendell Swink Eddie Nova Raymond Renard Barbara Sanders Bambi Allen Al Cranston Paul Smith Capri

Genre: Adventure Comedy

Tags: Sexploitation Parody

Description

In this version the baddies conspire to use Maid Marian against Robin, and this makes for some useful dramatics. She is also cast against type, with Marian having huge breasts and dark hair. Film’s highlight is a lengthy torture scene, rather imaginatively staged by director Richard Kanter in an attempt to outdo the softcore king of s&m Lee Frost, as Sallyforth does all sorts of nasty things to a suspended-in-air Marian. Many other subplots keep the pot boiling and even manage to engender almost-moving emotions amongst the characters, though the periodic "stop everything" to make way for fully-nude sex simulation scenes are more than distracting. It's well-shot by erstwhile cameraman and sometime director Paul Hipp, especially an early scene of Robin humping the wonderful softcore actress Capri, featuring terrific low angle shots of her mighty rack.

In this version the baddies conspire to use Maid Marian against Robin, and this makes for some useful dramatics. She is also cast against type, with Marian having dark hair. Film’s highlight is a lengthy torture scene, rather imaginatively staged by director Richard Kanter in an attempt to outdo Lee Frost. Many other subplots keep the pot boiling and even manage to engender almost-moving emotions amongst the characters. It's well-shot by erstwhile cameraman and sometime director Paul Hipp.