VIRGIN WITCH

Sisters Christine and Betty run away from home to find work as models. They are given a lift to London by Johnny, a businessman who is instantly attracted to Betty. Christine successfully auditions for unscrupulous modelling agent Sybil Waite and is offered a weekend's work shooting an advert at a house in the country. Betty goes with her.

The modelling job is actually a ploy to initiate Christine into a coven of white wizards led by Sybil and the owner of the house, Gerald Amberley. Christine, who is shown to have psychic ability, willingly undergoes the initiation ritual, during which her virginity is taken by Amberley. Christine's powers create tension between her and Sybil, who practises darker magic and has a predatory sexual interest in her. The conflict escalates when Sybil vows to have Betty initiated into the coven.

Johnny, who has been warned about Sybil's true nature, arrives to take Betty away. However, Christine places him under her control, forcing him to participate in Betty's initiation. During the ritual, Christine wrests control from Sybil by psychically torturing her. Johnny, no longer under Christine's control, takes Betty's virginity. Christine then uses her powers to kill Sybil and take her place as high priestess of the coven.

Christine uses her psychic powers to kill Sybil and assumes her place as the coven’s high priestess after orchestrating Betty’s initiation.

The film’s conclusion sees Christine fully embracing her powers, subverting the initial plans of Sybil and Gerald. By killing Sybil and taking control of the coven, Christine overturns the traditional victim narrative often found in exploitation horror, instead seizing agency and dominance. The ending cements the film’s themes of power, manipulation, and the unpredictable consequences of occult dabbling.